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Afrofuturism: The World of Black Sci-Fi and Fantasy Culture
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Review
"At last! A real book about a deeply elusive topic—Black people and the possibility of what Sun Ra used to call the Alter Destiny. Ytasha Womack takes us on a quantum romp through the Afro-Multiverse: she explains some of the biggest, brightest, fastest, heaviest and loudest things in the known world—and beyond! At heart, Afrofuturism gives you a vast and intuitive feel for some of the most pressing issues facing young progressives in the early 21st Century.” —DJ Spooky“Ytasha L. Womack’s book Afrofuturism: The World of Black Sci-Fi and Fantasy Culture is one of the most comprehensive and relevant reads in the black science fiction realm to date. I highly recommend this book as it masterfully covers the genre’s humble past, its flourishing present and promising future. This is definitely a fantastically, engaging read. I couldn't put it down.” —Jarvis Sheffield, The Black Science Fiction Society“When I coined the term "Afrofuturism" in 1992, who knew young cultural critics like Ytasha Womack would make it their own? Accessibly written, with an emphasis on the politics of the here and now, Afrofuturism beckons us through an intellectual wormhole, into a universe where dark matter is, at last, visible.” —Mark Dery, cultural critic, author, lecturer“This book is the gravity that holds the universe of ideas that define Afrofuturism. Finally, the starting point for our welcomed explorers.” —King Britt, universal sonic architect"A smooth blend between a personal memoir and a reference source for those interested in delving into the world of afrofuturism." —Futuristically Ancient"Provocative and highly detailed, accessible to both geeks and laymen... a fascinating glimpse into what Sun Ra called 'the Alter Destiny.'" —Smooth Magazine
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About the Author
Ytasha L. Womack is a filmmaker, futurist, and the author of Post Black: How a New Generation Is Redefining African American Identity and 2212: Book of Rayla. She is the creator of the Rayla 2212 sci-fi multimedia series, the director of the award-winning film The Engagement, the producer and writer of Love Shorts, and the coeditor of Beats Rhymes and Life: What We Love and Hate About Hip Hop. She has written for many publications including Ebony and the Chicago Tribune and has appeared on E! True Hollywood Stories: Rappers Wives.
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Product details
Paperback: 224 pages
Publisher: Chicago Review Press; None ed. edition (October 1, 2013)
Language: English
ISBN-10: 1613747969
ISBN-13: 978-1613747964
Product Dimensions:
5.5 x 0.7 x 8.5 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#165,073 in Books (See Top 100 in Books)
Reading Ytasha L. Womack's book AFROFuturism is like having a fascinating conversation with a knowledgeable friend while sharing a generous cup of Earl Grey tea, hot.For anyone who has not heard of AFROFuturism, Womack's book is an excellent starting point. For those of us who have been involved in AFROCentric speculative fiction, photography, art or multimedia with a futuristic feel, Womack's book is a delightful confirmation that we are not alone in the universe. Womack did considerable research and her notes at the end provide helpful guidance for readers and writers of speculative fiction who want to get more involved.Womack tell us that AFROFuturism is much more than sci-fi stories about starship captains bouncing throughout the galaxy on sexual conquests. Literature, music, art, dance, politics are all linked to inspire us to create a new future. People of African descent are seeking to go were no "person" has gone before. Each chapter explores a different aspect of AFROFuturism. She manages to meld together anecdotal material, research facts as well as personal insight without being too preachy or lofty. This is not a dry "thesis" written for academic credit, nor smoky, whimsical abstraction. It is a thoughtful document crammed with personal insights.She suggests that the word "AFROFuturism" is fairly new to the cultural scene. It was first mentioned in 1992 by a writer named Mark Dery. But George Clinton's Mothership had landed long before Dery popularized the term. Sun Ra had been creating music that talked about space and other planets in the 1950s and 60s. Samuel Delany was winning awards for his sci-fi writings in the 1970s. The Dogon nation in Africa had revealed discoveries that puzzled modern scientists long before NASA had been created. Black science fiction was being published in the 19th century. In literary magazines during 1920s and 30s, Black heros were uncovering lost civilizations, constructing ray guns, and envisioning a bright, new future for all humankind.I particularly appreciated how Womack credits organizations, websites and people taking up the AFROFuturist mantle. Therefore, it would be shorted-sighted and mean-spirited to accuse Womack of leaving out a few references or new activities. AFROFuturism is growing faster than print. Anyone who desires the most up-to-date activities can use Social Media on the Internet.My ultimate rating for Afrofuturism: The World of Black Sci-Fi and Fantasy Culture should be a 4.5 (but Amazon doesn't allow for .5).
I bought this book right after reading Octavia Butler's "Bloodchild" (which I highly recommend) because I wanted a little more insight regarding black's in science fiction. I have sadly read very little author's that are Black/African American, and I'm glad I'm correcting that. Without spoiling it, I will say that this definitely a book you may not necessarily read for pleasure, though I did. This is one of those books you could take notes in, learn something, use as a reference. This could be a gateway book to other books in the genre of afrofuturism. Of course, I did enjoy it because I learned some history regarding famous artists and where afrofuturism originated from (to an extent) and where that influence has led since. I would recommend this to anyone interested in a little history lesson, some more author's and artists to discover, etc.
Womack does a great job of describing and exploring the terrain of Afrofuturism, although at parts shies away from some internal debates. It feels written for an audience unfamiliar with the field, and as such tries to give a more seamless and coherent picture than may actually exist. Such it is with any cultural movement.A great jumping off point for deeper exploration and later study--especially what may stand at odds with Afrofuturism as presented herein!
There are a few interesting ideas here, but this book is not clear about what it wants to be. It is not really deep dive into the ideas, it is not really a history, it is not really a reading list... it is a bit of all those things but ends up feeling more like a personal testimonial about how cool afrofuturism is than anything else.
I bought this for my partner after we saw Black Panther.He loves it, hasn’t put it down since it arrived. He isn’t one than reads books, mostly magazines & on line news & articles.
Inwas not familiar with many of the forms/venues in which thevsubjects of his discourse and analysis were located. Illustrations, pictures, and photgraphs would have been very helpful
As a self proclaimed Afrofuturist author and artist, I found Ms. Womack's work to be both informative and inspiring. Growing up in the inner city of Cleveland, OH, I often felt alone and isolated while watching Star Trek and dreaming of a better and diverse future. I now feel a sense of community...I have truly found my tribe. :D Many thanks to Ms. Womack for her thought provoking and well researched work. Power Up!
A very good source for reference material relating to Afrofuturism. This is a well written book that get directly to the point of what Afrofuturism is considered and what encompasses its history. I found links to authors and materials that have greatly increase my understanding of the scope and scale of Afrofuturism in the African-Diaspora. This is a must buy !! "BE GREAT CELEBRATE KWANZAA"
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